In this Dolby Institute podcast, we sit down with mixer Anna Behlmer. The final stage of any collaborative process requires a delicate balance between artistry and decisiveness.
September 17, 2015
In 2003 Cosme Liccardo began his audio engineering career, working in his own recording studio in his hometown of Valencia, Venezuela. From the beginning, he had the opportunity to work with some of t ...
LOS ANGELES — Activision, Bungie, 72andSunny, Digital Domain, Reset and Hollywood director Joseph Kosinski partnered once again to create the live-action trailer that launched Destiny: The Taken King, ...
September 16, 2015
BURBANK, CA — When editor Ed Marx got the call from director BJ McDonnell, asking if he’d cut Slayer’s new music video, he couldn’t say “yes” fast enough! Marx, who has a body of work that spans the h ...
NEW YORK — The Vladar Company (http://vladar.com/), which produces, posts and distributes features, has three releases planned for the coming weeks. Vlad Yudin co-founded The Vladar Company in 2008, a ...
September 15, 2015
What role can impressionistic sound design have in documentary films? In this episode from Dolby Institute, sound designer/mixer Coll Anderson explains it’s all about “telling human stories.” Anderson ...
September 8, 2015
COLUMBIA, MO — Mike Swittel recently provided sound design and mixing services for I Am One ( www.iamonecampaign.com ), a new short film that is part of an anti-bullying campaign that encourages high- ...
September 3, 2015
Filthy Look Films (www.filthylookfilms.com) might not be “dirty” as its namesake suggests, but it certainly is of-the-earth. Founder and director/cinematographer Mick Jones supplements this with his o ...
August 25, 2015
Modern Family has remained on the Television Academy’s Emmy nomination list since its premiere in 2009, recognized for and winning numerous awards as Outstanding Comedy Series. This year, among the AB ...
August 18, 2015
LOS ANGELES – Ntropic (www.ntropic.com) colorist Trevor Durtschi worked closely with London Alley Entertainment director Colin Tilley, and DPs Rob Witt and Corey Jennings to create a dramatic black an ...