“From our established roots of doing trailers for the indie market, the step up to posting entire features was a natural progression,” says Karma Bank founder and principal Preston Kuntz. “We can provide an entire film package complete with color-correction, titles, and trailer, featuring our strength in visual effects. We can be an all in one solution and offer the highest quality with an emphasis on being creative. Greg Creaser handled color correction on “Penny Dreadful.” The studio offers Autodesk Smoke 7.0, Lustre, Combustion, and 3DS Max. Smoke was used to conform “Penny Dreadful” and Lustre for grading. In-house tracking software, designed by Chris Woods, keeps track of all material throughout the facility.
Sohonet’s Media Fabric
Sohonet has launched Media Fabric, a suite of managed infrastructure solutions for film, television and post-production, designed to simplify the growing complexity behind modern workflows.
