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Animation // Audio // People // Studios // Video/Film // Visual Effects // Summer Movies

MPSE releases full list of nominees

LOS ANGELES — The Motion Picture Sound Editors (MPSE) have announced nominees for the 61st MPSE Golden Reel Awards in all categories. Nominees represent the work of sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions.

“This year’s Golden Reel nominees epitomize the craft of sound production at its best,” notes MPSE president Frank Morrone. “We take great pride in recognizing the achievements of talented men and women who continue to inspire us with their imagination, resourceful and craft.” A complete list of nominees, with crew, will be available on the The 61st MPSE Golden Reel Awards website next week.

The MPSE Golden Reel Awards (http://mpse.org) recognize outstanding achievement in sound editing in 22 categories, encompassing feature films, television, animation, computer entertainment and student work. The 61st MPSE Golden Reel Awards will be held February 16 at the Westin Bonaventure Hotel and Suites in Los Angeles.

The 61st MPSE Golden Reel Awards Nominees

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE AND ADR ANIMATION IN TELEVISION:

Fairly OddParents

Supervising Sound Editor: Heather Olsen, MPSE

Gravity Falls

Supervising Sound Editor: Heather Olsen, MPSE

Star Wars: The Clone Wars

Supervising Sound Editor: Matthew Wood

Monster High

Supervising Sound Editor: Joe Pizzulo

Phineas and Ferb

Supervising Sound Editor: Robert Poole II, MPSE

Teenage Mutant Ninja Turtles

Supervising Sound Editors: Jeff Shiffman, Otis Van Osten

Tron: Uprising

Supervising Sound Editor: Michael Ferdie

T.U.F.F. Puppy

Supervising Sound Editor: Heather Olsen, MPSE

BEST SOUND EDITING: SHORT FORM DOCUMENTARY IN TELEVISION

North America

Supervising Sound Editors: Kate Hopkins, Tim Owens

Through the Wormhole with Morgan Freeman

Supervising Sound Editor: Eric Raber

30 Days In May

Supervising Sound Editor: Kelly Vandever

BEST SOUND EDITING: LONG FORM DOCUMENTARY IN TELEVISION

Deadliest Catch: The Final Battle

Supervising Sound Editor: Bob Bronow, CAS

30 for 30 BIG SHOT

Supervising Sound Editors: Eric Lalicata, Marcus Pardo

Manhunt

Supervising Sound Editors: Trip Brock, Steven Avila MPSE

BEST SOUND EDITING: COMPUTER EPISODIC ENTERTAINMENT

Intel/Toshiba The Power Inside

Supervising Sound Editor: Darren “Sunny” Warkentin, MPSE

Mortal Kombat:Legacy Series II

Supervising Sound Editor: Michael Babcock

Video Game High School (Season 2)

Supervising Sound Editor: Paul Andre Fonarev

Bravest Warriors

Supervising Sound Editors: Gary Falcone, Joe Pizzulo

INSIDIOUS: Spectral Sightings

Supervising Sound Editor: Mark Camperell, MPSE

BEST SOUND EDITING: COMPUTER INTERACTIVE ENTERTAINMENT

Batman Arkham Origins

Supervising Sound Editor: Alain Larose

Final Fantasy XIV – A Realm Reborn

Supervising Sound Editors: Scott Martin Gershin, MPSE, Masanobu ‘Tomi’ Tomita

The Last of Us

Supervising Sound Editor: Shannon Potter

Skylanders Swap Force

Supervising Sound Editors: Mark Jasper, MPSE, Tom Hays

StarCraft 2: Heart of the Swarm Cinematic

Supervising Sound Editor: Paul Menichini, MPSE

BEST SOUND EDITING: DIRECT TO VIDEO ANIMATION

Batman: The Dark Knight Returns Pt.2

Supervising Sound Editor: Robert Hargreaves, MPSE

Koala Kid

Supervising Sound Editor: Eric Lalicata

Superman: Unbound

Supervising Sound Editor: Robert Hargreaves, MPSE

BEST SOUND EDITING: DIRECT TO VIDEO LIVE ACTION

The Baytown Outlaws

Supervising Sound Editor: Eric Lalicata

Empire State

Supervising Sound Editor: David Barber, MPSE

Evidence

Supervising Sound Editors: Darren “Sunny” Warkentin, MPSE, Lon Bender, MPSE

The Frozen Ground

Supervising Sound Editor: David Barber, MPSE

Lord of Darkness

Supervising Sound Editor: Trip Brock

Marvel One-Shot: Agent Carter

Supervising Sound Editor: Andrew DeCristofaro, MPSE

BEST SOUND EDITING: SPECIAL VENUE

Great White Shark 3D

Supervising Sound Editor: Brian Eimer

Jerusalem

Supervising Sound Editors: Michael B. Bordeleau, Peter Thillaye

Journey to the Pacific

Supervising Sound Editor: Andrew De Cristofaro, MPSE

Titans of the Ice Age

Supervising Sound Editor: Brian Eimer

To the Arctic 3D

Supervising Sound Editor: Andrew De Cristofaro, MPSE

BEST SOUND EDITING IN TELEVISION – SHORT FORM: DIALOGUE & ADR

American Horror Story: Coven

Supervising Dialogue Editor: Gary Megregian, MPSE

Boardwalk Empire

Supervising ADR Editor: Jeffery Stern

Supervising Dialogue Editor: Fred Madsen

Breaking Bad EP 513 “To’hajiilee”

Supervising ADR Editor: Nick Forshager

Supervising Dialogue Editor: Kathryn Madsen

Family Tree

Supervising ADR Editor: Hamilton Sterling

Supervising Dialogue Editor: Alison Fisher

Game of Thrones

Supervising ADR Editor: Jed Dodge

Supervising Dialogue Editor: Tim Hands

House of Lies Episode 204

Supervising Dialogue & ADR Editor: Pembrooke Andrews

The Newsroom

Supervising ADR Editor: Mark Relyea

The Walking Dead

Supervising Dialogue & ADR Editor: Lou Thomas

BEST SOUND EDITING IN TELEVISION – SHORT FORM: SOUND EFFECTS & FOLEY

Boardwalk Empire

Supervising Sound Editor: Fred Rosenberg

The Borgias “The Face of Death”

Supervising Sound Editor: Jane Tattersall, MPSE

Breaking Bad EP 516 “Felina”

Supervising Sound Editor: Nick Forshager

Homeland

Supervising Sound Editor: Craig Dellinger, MPSE

Game of Thrones

Supervising Sound Editor: Tim Kimmel

Once Upon a Time in Wonderland

Supervising Sound Editors: Joe Schultz, Tom de Gorter, MPSE

Vikings Season One

Supervising Sound Editor: Jane Tattersall, MPSE

The Walking Dead

Supervising Sound Editor: Jerry Ross

BEST SOUND EDITING IN TELEVISION – LONG FORM: DIALOGUE & ADR

Bonnie And Clyde Night 2 Dead and Alive

Supervising Dialogue & ADR Editor: Pembrooke Andrews

The Bridge

Supervising ADR Editor: Mike Marchain

Dancing on the Edge

Supervising Dialogue & ADR Editor: Ian Wilkinson

Mob City

Supervising ADR Editor: Lou Thomas

Sons of Anarchy “Mad King”

Supervising ADR Editor: Erich Gann

Supervising Dialogue Editor: Joy Ealy

BEST SOUND EDITING IN TELEVISION – LONG FORM: SOUND EFFECTS & FOLEY

The Bible

Supervising Sound Editor: Marc Lawes

Borealis

Supervising Sound Editors: Kevin Howard, MPSE, Robert Hegedus

Defiance

Supervising Sound Editors: Daniel Colman, MPSE, Jack Levy

Killing Kennedy

Supervising Sound Editor Larry Goeb

Sons of Anarchy “Salvage”

Supervising Sound Editor: Erich Gann

BEST SOUND EDITING IN TELEVISION – SHORT FORM: MUSIC

Arrested Development

Supervising Music Editor: Jason Tregoe Newman

Borgia

Supervising Music Editor: Robert Cotnoir, MPSE

CSI: Crime Scene Investigation

Supervising Music Editor: Troy Hardy

Game of Thrones

Supervising Music Editor: David Klotz

The Good Wife

Music Editor: Sharyn Gersh

Hostages

Music Editor: Skye Lewin, MPSE

Marvel’s Agents of S.H.I.E.L.D.

Music Editor: Lodge Worster

BEST SOUND EDITING IN TELEVISION – SHORT FORM: MUSICAL

Glee

Supervising Music Editor: David Klotz

Nashville

Supervising Music Editor: Jen Monnar

The Neighbors

Supervising Music Editor: Chris Foster

Peg + Cat

Supervising Music Editor: Steven Rebollido

Smash 207 – Musical Chairs

Music Editor: Dan Evans Farkas

BEST SOUND EDITING IN TELEVISION – LONG FORM: MUSICAL

History of the Eagles

Music Editor: Annette Kudrak, MPSE

Smash

Supervising Sound Editor: Robert Cotnoir, MPSE

Teen Beach Movie

Supervising Sound Editor: Amber Funk

BEST SOUND EDITING: MUSIC IN A MUSICAL FEATURE FILM

Frozen

Music Editor: Fernand Bos, MPSE

Inside Llewyn Davis

Music Editor: Jen Monnar

Justin Bieber’s Believe

Supervising Music Editor: Kevin McKeever

Metallica Through the Never

Music Editor: Matt Fausak

BEST SOUND EDITING: MUSIC SCORE IN A FEATURE FILM

12 Years A Slave

Music Editor: Katrina Schiller

47 Ronin

Supervising Music Editor: Andrew Silver

American Hustle

Music Supervisor: Susan Jacobs

Gravity

Supervising Music Editor: Christopher Benstead

The Great Gatsby

Supervising Music Editor: Jason Ruder

The Hobbit: The Desolation of Smug

Supervising Music Editor: Mark Willsher

Mandela: Long Walk To Freedom

Supervising Music Editor: Lewis Morison

World War Z

Supervising Sound Editor: John Finklea

BEST SOUND EDITING: SOUND EFFECTS & FOLEY IN A FEATURE FILM

12 Years A Slave

Supervising Sound Editors: Ryan Collins, MPSE, Robert Jackson

All Is Lost

Supervising Sound Editors: Richard Hymns, Steve Boeddeker

Captain Phillips

Supervising Sound Editor: Oliver Tarney, MPSE

Fast & Furious 6

Supervising Sound Editor: Peter Brown

Gravity

Supervising Sound Editor: Glenn Freemantle

The Hobbit: The Desolation of Smug

Supervising Sound Editor: Chris Ward

Iron Man 3

Supervising Sound Editors: Mark Stoeckinger, Andrew DeCristofaro, MPSE

Lone Survivor

Supervising Sound Editor: Wylie Stateman

BEST SOUND EDITING: DIALOGUE & ADR IN A FEATURE FILM

12 Years A Slave

Supervising Sound Editor: Ryan Collins, MPSE

American Hustle

Supervising Sound Editor: John Ross

August: Osage County

Supervising Sound Editor: Lon Bender, MPSE

Captain Phillips

Supervising Sound Editor: Oliver Tarney, MPSE

Gravity

Supervising Sound Editor: Glenn Freemantle

Her

Supervising Sound Editor: Ren Klyce

Inside Llewyn Davis

Supervising Sound Editor: Skip Lievsay

Lone Survivor

Supervising Sound Editor: Wylie Stateman

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN AN ANIMATION FEATURE FILM

Cloudy With A Chance Of Meatballs 2

Supervising Sound Editor: Geoffrey G. Rubay

The Croods

Supervising Sound Editors: Randy Thom, Jonathan Null

Despicable Me 2

Supervising Sound Editors: Dennis Leonard, Chris Scarabosio

Epic

Supervising Sound Editors: Randy Thom, Gwendolyn Yates Whittle

Ernest & Celestine

Supervising Sound Editor: Fred Demolder

Frozen

Supervising Sound Editor: Odin Benitez, MPSE

Monsters University

Supervising Sound Editors: Michael Silvers , Tom Myers

Planes

Supervising Sound Editors: Todd Toon, MPSE, Rob Nokes

BEST SOUND EDITING: SOUND EFFECTS, FOLEY, DIALOGUE & ADR IN A FOREIGN FEATURE FILM

Blue Is the Warmest Color

Supervising Sound Editor: Fabien Pochet

The Grandmaster

Supervising Sound Editors: Robert Mackenzie, Traithep Wongpaiboon

The Past

Supervising Sound Editor: Thomas Desjonqueres

Wadjda

Supervising Sound Editor: Sebastian Schmidt

BEST SOUND EDITING: DOCUMENTARY IN AN ANIMATION FEATURE FILM

“1”

Supervising Sound Editors: Lon Bender, MPSE, Beau Borders

20 Feet From Stardom

Supervising Sound Editor: Al Nelson

CinemAbility

Supervising Sound Editor: Andrew DeCristofaro, MPSE

Dirty Wars

Supervising Sound Editor: Christopher Barnett

Good Ol’ Freda

Supervising Sound Editor: Henry Auerbach

Muscle Shoals

Supervising Sound Editor: Christopher Koch

Rising From Ashes

Supervising Sound Editors: David Barber, MPSE, Ben Zarai

Sound City

Supervising Sound Editor:

VERNA FIELDS AWARD IN SOUND EDITING FOR STUDENT FILMMAKERS

Anamnesis

National Film and Television School

Sound Designer: Filipe Paszkiewicz

First Light

National Film and Television School

Sound Designer: Raoul Brand

If You’re Serious

University of Miami School of Communications

Sound Designer: Jorge Fernandez

The Magnificent Lion Boy

National Film & Television School

Sound Designer: Ania Przygoda

Miss Todd

National Film & Television School

Filmmaker: Kristina Yee

Robomax

National Film & Television School

Sound Designer: Tingli Lim

Sleeping With The Fishes

National Film and Television School

Sound Designer: Nikola Medic