Music and sound are still the most powerful tools for emotional branding and memory recall. Whether you use custom music, a library track, or an artist cut, music can make the most impact in deliverin ...
January 14, 2013
I get asked to do articles and talks like this pretty regularly. Like most pundits, I’m not often asked to review my own predictions. I just keep looking forward and ignoring all of my past prognostic ...
January 3, 2013
The television series Leverage follows a team of thieves, hackers and con artists who act as modern-day Robin Hoods, standing up for the little guy who has been victimized by the rich and powerful. &n ...
The increased number of licensing options available to potential clients has introduced new problems. The number of choices for any content producer in film, TV or Web can be overwhelming and very con ...
January 2, 2013
Editing has come a long way since the upright Moviola. Those of us who started cutting on film or tape know full well how computers revolutionized our industry. Nonlinear editing systems help us make ...
December 18, 2012
In Post’s November 2012 article Mic’d Up, I talked with production sound editor Simon Hayes about the recording process for the musical Les Miserables, which is coming to theaters December 25. While w ...
December 14, 2012
I see 2013 as "a time of perceived change" or faux beginnings.
December 11, 2012
Complacency and false hope are the biggest threats to the post industry.
December 10, 2012
Great ideas are still — and always will be — king, and we're in the ideas business.
NEW YORK — In 2008, when Amanda Amalfi got her first shot at Flame during an unpaid internship at Headlight, she asked her fellow artists if her new skillset would keep her in the studio past midnight ...
December 7, 2012