As competition continues to saturate the offline editorial sector, a critical ingredient for success as a creative editor is having knowledge and exposure to the innumerable tools available.
December 15, 2014
Lee Smith, ACE — Christopher Nolan’s longtime editor — likes to joke about how grueling it was to cut the director’s massively-layered and technically-complex space/science drama, Interstellar. He cla ...
Over the past 30 plus years, HP has been privileged to be an active part of the media and entertainment industry. We have seen a lot of changes since our first oscillators were used for audio in Disne ...
December 12, 2014
Increasingly, it seems that every facet of our digital lives is recorded, processed, shared, sold and marketed. Our purchasing habits, search queries, geospatial location, emails and social media acti ...
December 11, 2014
A look at three trends that are going to dominate 2015.
I believe we will see a continuance of trends that developed in 2014. To be competitive in post production, you have to be extremely flexible in the workflows you offer your clients. Although we may h ...
December 10, 2014
Into The Woods is a complex and magical musical that puts a different twist on well-known and beloved fairy tale characters and stories. Bringing a Broadway musical to the screen is a huge task and so ...
December 9, 2014
NEW YORK — Technicolor-PostWorks, New York completed editorial conforming and final color grading for Disney’s new film, Into the Woods. The facility was selected, in part, because of New York State’s ...
The surface challenge facing artists at the Technicolor Post Sound Facility, when director Damien Chazelle brought his feature-film debut, Whiplash, to the studio for audio post services, was time. Be ...
December 3, 2014
In the November issue of Post, we speak with VFX supervisor Paul Franklin of Double Negative about how he and his team worked closely with Christopher Nolan ( Batman, Inception ) on the director’s lat ...
November 25, 2014