Web Exclusives

  • Storage: LTO-5 options
    Web Exclusives
    Storage: LTO-5 options

    High definition 3D footage, intense graphics and eye-catching VFX make for fantastic commercials, television programs and feature films. They also leave many post production professionals searching fo ...

    March 8, 2011

  • Editing HDSLR footage natively
    Web Exclusives
    Editing HDSLR footage natively

    With the wild success of HDSLR cameras from both Canon and Nikon, there is a renewed interest in editing H.264 media natively, using the video files that are transferred directly from the camera into ...

    March 4, 2011

  • WWII Nat Geo special created in post
    Web Exclusives
    WWII Nat Geo special created in post

    Earlier this month, National Geographic Channel premiered The Wereth 11, a feature about a group of African American soldiers caught behind enemy lines in Belgium during World War II. The rest of thei ...

    February 23, 2011

  • Tone Visuals takes color grading into the field
    Web Exclusives
    Tone Visuals takes color grading into the field

    AUSTIN, TX — Tone Visuals’ (www.tonevisuals.com) Brian Buongiorno is a veteran colorist who’s worked on everything from feature films to television commercials. Parlaying a highly-successful career as ...

    February 9, 2011

  • Editor Michael Kahn reflects on his work with Spielberg
    Web Exclusives
    Editor Michael Kahn reflects on his work with Spielberg

    “Steven was looking for an editor after Jaws,” recalls film editor Michael Kahn, as to how his creative partnership started 34 years ago with moviemaker Steven Spielberg. “[Irvin] Kershner and Owen Ro ...

    February 1, 2011

  • How content supply chain management will shape post
    Web Exclusives
    How content supply chain management will shape post

    It’s all about content. That may be an oft-used cliché, but there’s no denying content’s critical role in these transformative times. In the coming years, media companies will be more challenged than ...

    February 1, 2011

  • Using Boxx's RenderPro on 'Water Soul'
    Web Exclusives
    Using Boxx's RenderPro on 'Water Soul'

    Water Soul is a gloomy fairy tale, a mystery-adventure in stereoscopic 3D, produced with the support of the Berlin Media Boards and Hessian Film Fund. Because Water Soul unfolds in a richly detailed a ...

    February 1, 2011

  • Shooting 3D on a 2D budget
    Web Exclusives
    Shooting 3D on a 2D budget

    TORONTO — Wildlife filmmaker Adam Ravetch has spent two decades documenting the details of animals’ lives in the far corners of the earth. He is one of just a handful of filmmakers who have shot benea ...

    January 28, 2011

  • Editing HDSLR files natively may not be a smart idea
    Web Exclusives
    Editing HDSLR files natively may not be a smart idea

    With the wild success of HDSLR cameras from both Canon and Nikon, there is a renewed interest in editing H.264 media natively, using the video files that are transferred directly from the camera into ...

    January 28, 2011

  • VFX: 'The Fighter'
    Web Exclusives
    VFX: 'The Fighter'

    SANTA MONICA - Comen VFX (www.comenvfx.com) served as the sole visual effects house for the feature film The Fighter, directed by David O. Russell. The film stars Mark Wahlberg as boxer “Irish” Micky ...

    January 4, 2011

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