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December 2014

Christine Bunish
Christine Bunish began in publishing with an international newsmagazine group. She moved to Broadcast Management/Engineering where she helped launch World Broadcast News and later served as a writer and research director at Millimeter. She has been a freelance writer for Post Magazine for over 20 years.
Authored Articles
Sound & Picture Restoration
Published: December 5, 2012

Restoration services are in increasing demand as studios serve up features and classic films for Blu-ray release, iconic titles for landmark anniversaries, and as film archives endeavor to present old and rare footage to new audiences.
Edit This!: Cutting Spielberg's 'Lincoln'
Published: November 5, 2012

HOLLYWOOD — Steven Spielberg’s much-anticipated Lincoln, which arrives in cinemas this month, represents the latest collaboration between the prolific director and his film editor Michael Kahn, ACE, whom he’s worked with for more than 30-years.
Camera Roundtable
Published: September 21, 2012

Post quizzed six manufacturers about how to make cameras that help facilitate the post production workflow. The powerhouse roundtable discussed the production-post link, the transcoding process, hardware and software that streamlines post, the changing role of the DIT, and ensuring compatibility with the most popular edit systems.
Cover Story: 'Wilfred'
Published: September 4, 2012

SANTA MONICA — The hit FX comedy series Wilfred, the network’s highest-ranking debut sitcom last year, tells the unusual tale of Ryan Newman (Elijah Wood), who is suicidal until his neighbor asks him to look after her dog, Wilfred.
Storage for VFX
Published: August 13, 2012

As visual effects shots continue to grow in complexity, and more and more are created for stereo 3D content, the demands on storage systems increase. Fortunately, there’s no shortage of storage solutions on the market to fit every need and every size facility — from single-site dynamos to global entities.

Cutting Humor
Published: August 10, 2012

It may be apocryphal, but the phrase “dying is easy — comedy is hard” has some truth to it. Comedy can be a delicate thing easily lost if given too light or too heavy a hand. It spans a wide range of moods, from the naughty and playful to the dark and wry, so there’s no formula for funny.
Cover Story: 'Ted'
Published: July 6, 2012

Bringing a child’s teddy bear to life might sound like a warm and fuzzy VFX assignment, but Ted, the brainchild of the multi-talented Seth MacFarlane, of Family Guy and American Dad fame, is like no other plush toy you’ve ever seen.
The Evolution of the Digital Intermediate
Published: May 21, 2012

It may be time for digital intermediates to have a name change. Initially coined to describe a digital approach to a film process (i.e., the digital intermediate between film scanning and film print recording), it has arguably come to mean something different today.
2D to 3D Conversion
Published: May 15, 2012

Much to the delight of producers — and to audiences on the receiving end of stereo 3D content — options for high-quality 2D-to-3D conversion have increased in the last few years. A number of facilities in the U.S. and Canada offer 3D conversion services, often in conjunction with international vendor partners for a sun-never-sets approach to workflow efficiencies. Proprietary software is paired with off-the-shelf solutions to optimize pipelines and reduce costs for content of all types. 
On-Set Post
Published: April 24, 2012

Post production today is no longer a discrete process practiced off-set after production has wrapped. Instead, post often begins on-set with a workflow designed to enhance creativity while production is still underway and speed and facilitate many post processes that run parallel to productio
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