The VFX industry is in turmoil at the moment. Studios are closing and Oscar-winning house (Life of Pi) Rhythm & Hues has filed for bankruptcy. While things have been shaky for a while now, the iss ...
March 8, 2013
Manhattan Edit Workshop launched its “Inside the Cutting Room” series last month with a sit down with editor Andrew Weisblum, ACE. Hosted by author/film historian Bobbie O’Steen, the two-hour event lo ...
The Foundry’s Nuke allows artists to work in a fast and responsive full 32-bit floating-point linear environment, meeting the challenges of film, television and commercial work. It remains highly cust ...
CULVER CITY — Sony Pictures Imageworks contributed more than 1,100 shots to the new Disney film, Oz The Great and Powerful, which hit theatres on March 8. The film was shot natively in 3D and called o ...
With film no longer the acquisition format of choice for many spots, feature films and television programs, and film no longer appearing on most lists of deliverables, the term DI seems to becoming ob ...
Post facilites talk about their ever-expanding needs in Post's 2013 Storage Solutions supplement.
March 15, 2013
Have you ever woken up in the middle of the night to a song playing in your head? Of course you have. While it might drive you crazy at the time, it does hammer home the importance of a tune.
March 21, 2013
Sean vonLembke may have grown up in the 1980s and ‘90s, but for all intents and purposes, his TV was a time machine stuck in the world before 1952 — the only era of movies and shows that his parents a ...
At this year’s HPA Tech Retreat, Bling Digital led a lively discussion on the impact file-based workflows are having on feature and television post production.
March 14, 2013