LOS ANGELES — The Visual Effects Society has announced its 2023 board of directors’ officers. The officers, who comprise the VES board executive committee, were elected at the January 2023 board meeting and include Lisa Cooke, who was re-elected board chair, making her the first woman to hold the role since the Society’s inception.
Photo (top): Lisa Cooke
“It is my privilege to continue to chair this global society of outstanding artists and innovators,” says Cooke. “The esteemed leadership on our board bring passion, diverse experience and enormous commitment to volunteer service to our organization. I’m excited about what we can achieve, working together, to grow the Society and take our worldwide membership to new heights.”
"The Society is so fortunate to have this year's executive committee members guiding our mission-driven work," adds VES executive director Nancy Ward. “Individually, they've each devoted countless hours in service to VES, and together, they have a deep understanding of the organization and an unwavering commitment to serve the membership. I look forward to working with this year's Executive Committee to evolve the Society."
The 2023 officers of the VES board of directors are chair Lisa Cooke; 1st vice chair Susan O’Neal; 2nd vice chair David H. Tanaka, VES; secretary Rita Cahill and treasurer Jeffrey A. Okun, VES.
Cooke is a VFX producer at Tippett Studio and an executive producer at Tippett Productions. She brings experience as an animation/VFX producer, story consultant, screenwriter and actor. Firmly believing that effective science communication is vital to our world, before joining Tippett, she founded Green Ray Media, where she produced animation and VFX to create scientific, medical and environmental media for a broad audience.
In the past, Cooke has worked for entertainment clients, including Lucasfilm, Fox, Universal and Nickelodeon Films, and in the VFX and animation industry for companies like Pixar, Glasgow-based Digital Animations Group, and as Senior Producer at Reardon Studios.
Cooke served six years on the VES Bay Area board of managers executive committee before joining the VES board of directors, where she has served as second vice chair, 1st vice chair, co-chair of the archives initiative and is honored to be currently serving her third term as chair.
Susan O’Neal joined the VES in the late 1990s and has served as a member of its global board of directors in multiple roles, including service on the executive committee in 2016 as treasurer, and as 2nd vice chair in 2022. For many years, she served as the chair for the legacy global education committee, and currently co-chairs the membership committee. She has been instrumental in the work to grow the Society by leading the bi-annual membership review and approval process.
In 2019, O’Neal was honored with the VES Founders Award for meritorious service to the Society. O’Neal is currently a recruiter for BLT Recruiting, Inc. She has worked as an operations manager at The Mill, operations director at Escape Studios in Los Angeles, and as an account manager at Side Effects Software, Inc. She started her career in visual effects at Digital Domain in 1993, where she worked in finance and operations before turning to production.
David H. Tanaka is an editor, producer and creative director with experience ranging from visual effects and animation, to documentary and live action feature filmmaking. For 15 years he served at Industrial Light & Magic in VFX production and VFX editorial on films that included Jurassic Park, Forrest Gump and the Star Wars saga. He then went on to Pixar Animation Studios as a special projects editor for 10 years, contributing to such productions as Cars, Ratatouille, WALL•E, Up, Toy Story 3 and Monsters University.
Tanaka currently holds a staff VFX editor position with Tippett Studio and serves as adjunct professor for the Academy of Art University, San Francisco, specializing in producing and editing for animation and visual effects production. In 2020, he along with his wife, Dorianne, co-founded Cinemabilities – a remote filmmaking course for typically and atypically developing students, ages 10 to 20. He has served three terms as chair of the VES Bay Area Section, as well as 2nd vice chair on the global board of directors in 2021. He is a major contributor to the VES archives, awards, outreach, and work-from-home committees, and in 2022 was honored with both VES Lifetime Member and VES Fellow distinctions.
Rita Cahill is an international business and marketing/PR consultant, and has worked with a number of US, Canadian, UK, EU and Chinese companies for visual effects and animation projects. Current and former clients include companies in the feature film, television, VR and game industries, as well as government and educational entities. She is also a partner in MakeBelieve Entertainment, a film development company, and serves as executive producer on a number of international projects.
Previously, Cahill was the VP of marketing for Cinesite, where she oversaw the marketing of four divisions of the pioneering digital studio’s services. Prior to Cinesite, Cahill was a founding board member of the Mill Valley Film Festival/California Film Institute, and remains on the Institute’s emeritus board of directors.
This is Cahill’s eighth term as secretary. She also served as chair or co-chair of the VES Summit for eight years. In 2021, Cahill was honored with the VES Lifetime Member distinction and the VES Founders Award.
Jeffrey A. Okun is known for creating organic and invisible effects, as well as spectacular tent-pole visual effects that blend seamlessly into the storytelling aspect of the project. Okun has delivered wide-ranging effects in award winning films such as The Last Samurai, Alpha, Blood Diamond, Stargate, Sphere, Red Planet, Deep Blue Sea and The Last Starfighter, and acclaimed television programs such as Cosmos: Possible Worlds for National Geographic and Fox TV, The End Is Nye (NBC Universal) and The Good Lord Bird (Showtime).
Okun is a VES fellow and recipient of the VES Founders Award. He created and co-edited the VES Handbook of Visual Effects, a reference book covering all aspects of creating visual effects, techniques and practices. He is currently co-editing the VES Handbook of Virtual Production, a complete guide to virtual production from uses, roles, techniques and best practices, due out in the summer of 2023.