"From our established roots of doing trailers for the indie market, the step up to posting entire features was a natural progression," says Karma Bank founder and principal Preston Kuntz. "We can provide an entire film package complete with color-correction, titles, and trailer, featuring our strength in visual effects. We can be an all in one solution and offer the highest quality with an emphasis on being creative.
Greg Creaser handled color correction on "Penny Dreadful." The studio offers Autodesk Smoke 7.0, Lustre, Combustion, and 3DS Max. Smoke was used to conform "Penny Dreadful" and Lustre for grading. In-house tracking software, designed by Chris Woods, keeps track of all material throughout the facility.
LOS ANGELES - Impossible Objects (https://www.impossible-objects.co) and female director Jay Walker recently used virtual production technology to create a John Deere commercial that highlights women' ...
January 5, 2024
NEW YORK CITY - Post production studio Harbor has appointed Melissa Canosa vice president of finance. She joins Harbor from Paramount Global, where she served as finance lead. There, she played a pivo ...
May 15, 2024
British rock band Idles recently released a music video for their “Grace” track that puts an AI twist on Coldplay’s “Yellow” music video from 2000. The project called on production studio Joyrider (ww ...
February 29, 2024