"From our established roots of doing trailers for the indie market, the step up to posting entire features was a natural progression," says Karma Bank founder and principal Preston Kuntz. "We can provide an entire film package complete with color-correction, titles, and trailer, featuring our strength in visual effects. We can be an all in one solution and offer the highest quality with an emphasis on being creative.
Greg Creaser handled color correction on "Penny Dreadful." The studio offers Autodesk Smoke 7.0, Lustre, Combustion, and 3DS Max. Smoke was used to conform "Penny Dreadful" and Lustre for grading. In-house tracking software, designed by Chris Woods, keeps track of all material throughout the facility.
LOS ANGELES - The 98th Oscar nominations (www.oscars.org) were announced this morning, representing excellence in film in 24 categories. Each category has five nominees, with the exception of Best Pic ...
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LONDON - Independent VFX/creative studio Lux Aeterna (lavfx.com) has appointed Alex Dilworth design creative director. Based in the South West of the UK, he brings over 20 years in the industry, havin ...
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LOS ANGELES – The Trusted Partner Network (TPN), the Motion Picture Association’s (MPA) global content security initiative, has announced the upcoming launch of its next-generation Shield tier system, ...
August 7, 2025